En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Yui Yonezawa

National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.

Christopher Wheeldon’s Alice’s Adventures in Wonderland returned to the National Ballet of Japan, a marvelous production that amply displays the many talents of the company. 

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

National Ballet of Japan opened their 2024/25 season with Eagling’s The Sleeping Beauty. Haruka Sassa's Aurora, guesting from Staatsballett Berlin, and prima ballerina, Yui Yonezawa, debuting as the Lilac Fairy, were highly impressive. 

 This production provides a hugely fulfilling evening, rich in drama and the beauty of classical ballet.

Two adaptations of well-known Shakespeare plays make wonderful additions to the repertoire of the National Ballet of Japan.

National Ballet of Japan performed Roland Petit’s Coppélia in front of a live audience for the first time, showing the company to be in great form.

Their artistry was something that is rarely seen and is a great gift to us all.

NBJ shows a contemporary double bill choreographed by Motoko Hirayama; a powerful and daring programme that strengthens their dancers’ versatility.

Wheeldon’s Alice’s Adventures in Wonderland proves to be one of the greatest recent successes at the National Ballet of Japan, promising a feast of delights, an enjoyable night at the ballet for both children and adults. 

National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.  

National Ballet of Japan premieres Sir Peter Wright's Swan Lake, which had been postponed for a year due to Covid restrictions. 

The National Ballet of Japan's Ryuuguu: the Turtle Princess is a ballet aimed at family audiences but adults can also enjoy it as it is a great showcase for Japanese culture with Noh and Kabuki influences and philosophy. 

Asami Maki's Raymonda returns to stage after 12 years, and the result was glorious, with excellent interpretation by Yui Yonezawa, Yudai Fukuoka and Masahiro Nakaya.

Roland Petit's Coppélia by The National Ballet of Japan was streamed to more than 30,000 online viewers, entertaining people forced to stay home during the holidays. 

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

National Ballet of Japan marks a triumphant season opening of Don Quixote with new director Miyako Yoshida, the first ballet performance in 8 months with full seating capacity audience and live orchestra. .

The National Ballet of Japan mounted a new production of Peter Darrell’s The Tales of Hoffmann based on the Offenbach's opera. Although no masterpiece, it was an enjoyable evening and the quality of dancing by the four primas, the fascinating new sets and the costumes did entertain the audience a lot.