En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Richard Wiegold

Stefan Herheim's dreamlike production of Debussy's opera sets it squarely in the Sussex manor house that gave birth to Glyndebourne's festival. 

Welsh National Opera brings its 1978 production of Madama Butterfly to Milton Keynes.  

A mesmerising Wozzeck, thanks to the trampled dignity of Florian Boesch’s antihero, Asmik Grigorian’s gloriously sung Marie, and a thrillingly savage Netherlands Radio Philharmonic.

Welsh National Opera's new production of The Barber of Seville disappoints in an uncoordinated performance in Bristol. 

Lothar Koenigs conducted a musically excellent and dramatically straightforward performance of Mozart's Marriage of Figaro in Cardiff.

Amber Wagner sings Elisabeth with a deepened command and an access to a horizon of sound that make it seem as though her throat had found six more inches of release. It’s a phenomenal performance.

Welsh National Opera's new production of Rossini's William Tell shows off orchestra and chorus to their full under Carlo Rizzi's baton

Tonight was the Dublin première of Dvořák’s opera Rusalka, and the most surprising fact about this is that it took 112 years for this enchanting opera to make its debut here. For, as tonight’s performance so aptly illustrated, Rusalka is a glorious work on so many different levels: it has hauntingly beautiful melodies, daring orchestral harmonies and an enchanting but ultimately tragic love story.

Miraculous as Jonathan Harvey’s music is, it seems reductive to call Wagner Dream an opera. Half the cast, after all, don’t even sing, but act: it’s a sincere meeting of music and theatre in a way that opera usually isn’t.