En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Robert Clark

The Royal Ballet gets off to an extraordinary start for its Ashton Celebrated season with some ravishing dancing on offer.

Four world premieres and four main stage debuts provides genuine hope for the future of choreography.

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

An evening of George Balanchine and Jerome Robbins at Covent Garden, topped by a beautifully poignant rendering of Dances at a Gathering.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

A brief but innovative tribute to the lasting influence of Merce Cunningham in the Linbury Theatre

A random assortment of disassociated ballets performed with variable success - from the sublime to the nondescript. 

Two outstanding world premières honour the centenary of a great composer 

A brilliant modern revisioning by Genevieve Raghu, in a superb contemporary translation by Benjamin Hamilton, makes Don Giovanni feel more relevant than ever for the Tinder generation and their disposable approach to love. 

Greenwich Dance and Trinity Laban have partnered to put on a double bill of work, bringing together Amstatten by Robert Clark and Theo Clinkard’s Ordinary Courage at Greenwich Dance Agency. Clark’s work was fleeting but impressionable, containing some very beautiful artistic choices made by Clark and his team or artists.

In the first evening of The Place’s 2012 Spring Loaded showcase, Robert Clark and Darren Ellis dance presented two very different pieces that made for an enjoyable but eclectic show. The night began with Darren Ellis’ Long Walk Home, a series of solos performed by four women, who are at different points in their lives, investigating their current relationship with dance.