En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Richard Haan

“An eye for an eye, a kiss for a kiss,” declares Madeleine in the knock-down battle of the sexes that is Paul Abraham's rarely staged operetta. 

Invigorating in the pit, Britten’s Billy Budd never gets its sea legs on the National Theatre stage.

Krakatit, an opera composed in the shadow of the Cold War, remains frighteningly relevant.

A night of Egyptian musical and scenic splendour.