En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrew Megill

Alisa Weilerstein plays Prokofiev's Sinfonia Concertante before her husband conducts a key work from the OSM's history, Ravel's ballet Daphnis et Chloé. 

A fresh approach to two late Mozart works earned the adulation of a Montreal Symphony Orchestra audience.

It is a high order to mount a captivating performance of a work so widely known and performed as Handel's Messiah. 

Kent Nagano and OSM wowed with cerebral approach to Carmina Burana.

The OSM closes out the 2015-16 season with all guns blazing and an ethereal flag of peace in a splendid battle of Britten.

It was no Christmas miracle, but the OSM's technically strong Bach concert brought a dignified kind of cheer to the most wonderful time of the year.

The stark aesthetic contrast between Ives’ Symphony no. 4 and Tchaikovsky’s Piano Concerto no. 1 led to an evening of music that was diverse, challenging and very entertaining.

The OSM chorus and a well-matched quartet of Canadian soloists dominate the OSM’s Messiah conducted by Andrew Megill. 

The grand finale of this year's Montreal Bach Festival was the Mass in B minor with the Orchestre Symphonique de Montréal and Kent Nagano, joined by an impressive set of soloists.