En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Mikael Melbye

The ballet’s second act, following Giselle’s death, is set in a spooky, mystical realm, precisely the kind of thing that so intrigued its 19th century audiences and made this ballet an instant classic.

How does one condense a Tolstoy epic for the stage? In Anna Karenina, choreographer Alexei Ratmansky focuses on the three central characters, filleting the novel to its bare essentials.