En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kayla-Maree Tarantolo

Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure

Scottish Ballet are tremendous in Helen Pickett's riveting production of Arthur Miller's The Crucible.

By the time a rain of multicoloured paper hands floated down from above, a bizarre figure in orange strolled onstage, ignored by everybody, the audience was in love with the whole thing.

Helen Pickett's slick and revealing adaptation of Arthur Miller's play receives its London premiere at Sadler's Wells. 

Jess and Morgs continue to break the mould of tired dance films by directing their first full-length feature, which offers much more than just a different way of presenting dance.

Scottish Ballet’s Each Other taps into the visceral impact from the image of worn, discarded shoes to create a poignant and compelling piece about the tensions between different groups.