En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Claron McFadden

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 

McFaddens ergreifend schöne Melodieführung und Melnikovs schimmernde Klavierfarben machten den Konzertabend zu einem unvergesslichen Hörerlebnis.

Though ambitious and occasionally arresting, this revised and expanded take on the Purcell classic suffers from subtraction by addition.

Soprano Claron McFadden's pellucid voice tremendously contributed to the structural and sonic richness of Widmann's Versuch über die Fuge.

Die Video-Oper Mitra von Eva Reiter und George van Dam ist ein gewagtes Experiment, das nicht nur intensiv bedrückt, sondern auch den Alltag der Institution Psychiatrie unnötig verzerrt.

Overshadowed by its Hanseatic cousin Hamburg, Antwerp recently celebrated the opening of its own new concert hall. In his Symphony no. 2, Wim Henderickx tested the hall's capabilities with a multi-media extravaganza.

Always with an eye for the unusual, The Hebrides Ensemble surpassed themselves brilliantly with a lively programme of Amerian influenced music, including Elvis on bassoon.

Martijn Padding's opera Laika is let down by its libretto, which illustrates that though authors may write successful novels, this doesn’t necessarily imply they can also produce good theatre texts.

What’s the first thing that comes to mind when you hear the phrase “3D occult mystery film opera”? Because I’ll bet that whatever this makes you imagine is nothing like the reality of composer/director Michel van der Aa and librettist David Mitchell’s Sunken Garden, which debuted at the Barbican last night.