En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Clifton Forbis

To Camille Saint-Saëns, the operatic appeal of the biblical subject of Samson is perfectly understandable. Theoretically, the story contains the dramatic trappings of exciting grand opera: a romance, tragedy, larger-than-life setting, a ballet. But for current operatic audiences, it is easy for the subject to appear stale. With a lack of dramatic dynamism, staging this piece can be a challenge.