En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Goyo Montero

Acosta Danza has always had an adventurous taste in commissioning choreography. In this programme, the revival fared better than the new commission.

The brightest of many stellar things to have happened in dance over the past decade, Acosta Danza wowed the audience at Sadler's Wells with their vitality.

La divertidísima y preciosa La del manojo de rosas de Emilio Sagi retorna al Teatro de la Zarzuela.

In seiner ersten Operninszenierung zeigt Nürnbergs Ballettdirektor Goyo Montero Mozarts musikalisches Märchen als gefährliche, abenteuerliche und zuversichtliche Reise zweier Menschen – oder ist es nur einer? – zu sich selbst.

If you’re in need of some joy and exhilaration, the São Paulo Dance Company offers the perfect solution at Sadler's Wells. 

Even despite the hiatus of the pandemic, Acosta Danza has come a long way in just eight years

A triple bill about Birmingham brings Birmingham Royal Ballet back to live.

Three different and highly-spirited works, each choreographed for the Junior Ballett Zürich, were recently performed at the city’s opera house.

Under the artistic leadership of ballerina extraordinaire Diana Vishneva, Context, a showcase of Russian contemporary choreography, sees it UK premiere at London Sadler's Wells.

For three decades, Acosta has given his audiences performances of pure pleasure. As someone who had to work against the odds to reach the top, he became one of those rare classical ballet dancers whose brilliance and incredible technical achievements, wrapped up with convincing characterisation and humble charisma, have set stages alight around the world.