En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Enrico Cecchetti

The show stealer is the opening scene of Act III, as the curtain rises to reveal a line of females, both human and forest-creature, seated, waiting to try on the slipper the prince holds. It’s brilliant, laugh-out-loud clever.

A fairy-story for grown-ups. Wheeldon's charming Cinderella for the San Francisco Ballet. 

Who needs a pumpkin carriage ride to transport you to the ball when you could surf celestial webs instead? Certainly not Prokofiev's Cinderella, if Alexei Ratmansky’s 2013 Australian Ballet production is anything to go by.

Towering architectural sets, expansive multifaceted dancing, and an detailed playing from an exceptional orchestra deliver an emotional performance in Alexei Ratmansky's Russian adaptation of Prokofiev's Cinderella for Mariinsky Ballet.