En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Bradley Travis

James Conway's production for English Touring Opera returns in a trimmed-down, single-evening guise. 

Weill's satirical fairytale bites just as hard today as it did in 1933.

A great return appearance for English Touring Opera's Puccini double bill opening its spring tour at the Hackney Empire.

A joyous explosion of tuneful Victorian satire provides an unlikely, yet ideal, contrast to English Touring Opera's Tosca as their Patience tours the UK in this finely-cast, period-perfect production.

The 2016 Proms come to a riotous close at the Royal Albert Hall.

Ian Page assembled a fine cast, with a particularly good Leporello from David Soar for yet another superb performance of Mozart from Classical Opera.

English Touring Opera gives Gluck's reformist masterpiece a suitably blood-spattered outing in a production which keeps the opera in touch with its classical roots. 

Wonderful singing and playing liven up a slightly lifeless staging of Mozart's turbulent masterpiece. 

Bruno Ravella's version of Handel's Agrippina moves the action from Classical Rome to the avaricious Eighties in a sharp, amusing night at Iford.  

Despite a disappointingly static production, the cast shine in the Royal College of Music's producion of Handel's rarity Arianna in Creta.

The Secret Marriage has been a hit from its earliest days. At its 1792 première in Vienna, King Leopold II was so delighted by the performance that he ordered the whole company to repair to his mansion, be treated to a magnificent dinner, “and then play the entire opera through again, immediately”.

“I apologise to those who anticipated togas, or 17th-century Venice”, writes James Conway in the programme notes to his production of Monteverdi’s The Coronation of Poppea, currently running at the Royal College of Music’s Britten Theatre in London.