En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Alexey Gusev

More relevant than ever, the patriarchal nightmare of Verdi's Rigoletto is dark and unflinching in Scottish Opera's revival of their 2011 production, with some striking scenes and fine singing.

Eisenstein is a Tory Minister out of his depth on a European mission. Mischief and fun galore in RCS’s well sung Die Fledermaus, a fitting tribute to Timothy Dean as he stands down as Head of Opera.

Music, singing and movement blend together in a powerfully moving double bill of French Tragedy, Les Malheurs d’Orphée and Le Vin herbé  at the Royal Conservatoire of Scotland.   

Two Russian Tales: Stravinsky’s Mavra and Walton’s The Bear are an unexpected glittering delight at The Royal Conservatoire of Scotland’s Opera Studio in Glasgow.