En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrew Tipple

Weill's satirical fairytale bites just as hard today as it did in 1933.

Jonathan Dove's lean reduction of Wagner’s score for just 18 players is performed at the Grimeborn Festival in Julia Burbach's staging. 

There are brilliant visual touches in Aylin Bozok’s stylish concept for Bury Court Opera and the monochrome aesthetic is clearly realised.

Claudio Monteverdi was employed by Victor Gonzaga, the Duke of Mantua, but was dismissed from the court when his son Francesco Gonzaga took title in 1612. Monteverdi moved to Venice to take up the appointment of Director of Music at St Mark’s Basilica.

No wonder the 1744 audience was shocked by this “oratorio” which, far from drawing on Biblical themes, displays before us the sexual misdemeanor of the immortal Jove, with a mortal, Semele.

It might be a useful “rule of thumb” for every director of opera, to imagine the audience will be coming to the opera for the first time and view his own job as giving maximum clarity to the production he or she is working on.