En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Bert Dalhuysen

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

It’s all change at the Ballett am Rhein with new Chief Choreographer, Bridget Breiner, and Ballet Director, Raphaël Coumes-Marquet taking over from Demis Volpi for the 24/25 season.

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

 In a fascinating and challenging triple bill, Czech National Ballet deliver first rate performances.

English National Ballet appears refreshed and revitalised under its new artistic director.

Their artistry was something that is rarely seen and is a great gift to us all.

Beautiful neoclassical and Baroque dance describes a future full of hope that really hits the spot.

Prokofiev's score is reordered, the choreography is contemporary, characters are missing, and each of the three main scenes is set during a different 20th-century time period... yet, to a certain extent, it works.

Considering the very abrupt transition to dance-on-film that most companies are contending with today, Mahler, live chooses to examine the beginnings of this genre.