En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Brandon Lawrence

A diverse triple bill, both musically and choreographically, this has been a gamble that's paid off.

Carlos Acosta proves that he is still one of the world's greatest dancers, performing to packed houses and adoring audiences.

Sir Peter Wright’s production returns to Birmingham Royal Ballet after an absence of five years, with Céline Gittens and Brandon Lawrence sharing great chemistry. 

Carlos Acosta restages his Royal Ballet Don Q in a refreshing revamp for Birmingham Royal Ballet.

It is good to see Birmingham Royal Ballet in such fine fettle. This triple bill is well conceived and deftly performed. Not always flawless in its execution, but a five star programme nonetheless.

It starts like a scene from Mary Poppins, with penguin waiters nimbly weaving between waltzing couples, but ends with a deft blow to the stomach to deliver its environmental message.

Birmingham Royal Ballet presents its Variations Triple Bill at Sadler’s Wells, with works by George Balanchine, Frederick Ashton and David Bintley