En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Calvin Richardson

A showcase presenting the rich diversity of Christopher Wheeldon’s choreography should become a staple in The Royal Ballet's calendar.

Overall, Light of Passage is one of those glorious pieces where music, choreography and design meld together to make theatrical magic.

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

This tenth anniversary revival of Christopher Wheeldon's The Winter's Tale looks as fresh as on the original opening night.

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

A mixed programme of all-British choreography, including a world premiere, offers something for everyone.

Every decade or so, The Royal Ballet creates a new work that will endure in its signature collection, and there's little doubt that Woolf Works deserves its place among that elite.   

Throughout the entire cast, every named role was performed with the mix of enthusiasm, affection and assuredness.

Kyle Abraham's The Weathering doesn't feel particularly fresh on its premiere, but Crystal Pite's Solo Echo and Christopher Wheeldon's Danse à Grande Vitesse pep up the first triple bill of the season at Covent Garden. 

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

Sir Peter Wright’s festive treat is back – and Covid-secure – as the Royal Opera House stages its first full-length staged performance since the theatre closed in March.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

Exceptional performances from a cast wholly comprised of first soloists and soloists provide a good omen for the future of The Royal Ballet   

A random assortment of disassociated ballets performed with variable success - from the sublime to the nondescript.