En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Camille A Brown

The compelling story of boxer Emile Griffith's struggles with guilt and sexuality are not ideally rendered in James Robinson's new production.

James Robinson’s production allows the large cast of Catfish Row to interact like the old pals – almost family – that they are.

The Metropolitan Opera finally reopens its doors on a new season, staging Terence Blanchard's powerful work for the first time.  

The Met’s new production is directed by James Robinson, who has the characters interacting and listening to one another as if in real life – the inhabitants of Catfish Row have known each other for all of their lives and love, pray and grieve like family.