En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Cathy Marston

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 

Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.

Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 

Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

Northern Ballet reaches its half-century with a gala at Leeds Grand Theatre featuring highlights from its "greatest hits".

The second Dance@TheGrange builds on its reputation for fearless programming, with performances from Company Wayne McGregor and Ballet Black, and a standout new work by Ballet Black's Mthuthuzeli November

If you love Jane Eyre, stick to the novel. There's more female empowerment in those pages than in Cathy Marston's choreography.

Princess Beatrice scratches history from the record in Cathy Marston’s biographical ballet at Sadler’s Wells.

Les Grands Ballets Canadiens has brought a brand new piece to the stage; a neo-classical adaptation of D.H. Lawrence’s controversial novel, Lady Chatterley’s Lover.

Ballet Black delights the Glasgow Tramway with a contrasting double-bill of Shakespearian envy and whimsy.

Unbound by restrictions, they’ve been given free rein to create, implement and demonstrate to the world what contemporary ballet looks like. Hint: it looks great.

From the disturbing to the comical, the beautiful to the weird, David Hughes Dance brought four very different dances to the Lemon Tree theatre in Aberdeen last Saturday. Artistic director, David Hughes, has compiled works from four different choreographers which – as the title Something Old, Something New...