En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Charlotte Siegel

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Mary Elizabeth Williams (Abigaille) and Rihan Chaieb (Fenena) © Michael Cooper

Fine music-making redeems dull production in COC’s season opening Nabucco

Par John Gilks, 4 octobre 2024

The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little.

***11

Plus d'infos

***11

Toronto

4 oct. 2024

Fine music-making redeems dull production in COC’s Nabucco

Par John Gilks

Toronto

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Par Michelle Assay, 26 janvier 2024

After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

**111

Plus d'infos

**111

Toronto

26 janv. 2024

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Par Michelle Assay

Amina Edris (Mimì) and Pene Pati (Rodolfo) © Michael Cooper

Toronto

They’ll always have Paris: a timeless production of La bohème in Toronto

Par Michelle Assay, 6 octobre 2023

Canadian Opera Company’s revival of John Caird’s art-infused production is perfectly realised in singing, acting, and the orchestra’s vibrant yet velvety colours.

*****

Plus d'infos

*****

Toronto

6 oct. 2023

They’ll always have Paris: a timeless Bohème in Toronto

Par Michelle Assay

Toronto

Canadian Opera Company’s Magic Flute returns as a well sung whimsical comedy

Par John Gilks, 6 mai 2022

The COC’s revival of The Magic Flute is mostly played for laughs and makes an enjoyable, if undemanding, evening.

***11

Plus d'infos

***11

Toronto

6 mai 2022

COC’s Magic Flute returns as a well sung whimsical comedy

Par John Gilks