En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Damien Cooper

Bangarra Dance Theatre's 2025 commissioned work reclaims space and offers ambitious visuals, but sacrifices intimacy. 

Minimalist in design, Sydney Dance Company’s momenta showcases the transcendent athleticism of its dancers.

Both evocative and restrained, Sydney Dance Company's Somos returns to Sydney for its second season. 

Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield. 

Sydney Dance Company premieres Melanie Lane’s Love Lock, alongside existing repertoire Impermanence by Rafael Bonachela. It’s a work of bold genius and a dazzling double bill that's not to be missed. 

A mid-performance jump-in by tenor Thomas Strong saves the show on the opening night of this revival of Graeme Murphy's production.

Ravishing music and performances, a crazy G&S plot, but physicality that tends to distract in Constantine Costi's production.

Love comes in 57 varieties in Cavalli's Apollo and Dafne, and they're both enjoyed and suffered by a dynamic cast of six playing 20 characters.

Neil Armfield's enchanting production of Britten's A Midsummer Night's Dream finally comes to Australia as the centrepiece of the 2021 Adelaide Festival, making a virtue of necessity with its astute casting of Australian talent.

SDC delivers this long-awaited world premiere by Rafael Bonachela, featuring a Bryce Dessner score performed to perfection by the Australian String Quartet.

The much-loved Sydney cultural institution leaps into its 50th year with this impressive, energising triple bill.