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Stellar voices and orcheatra and some inspired staging choices elevate an otherwise heavy-handed production of Pelléas et Mélisande from the WNO at the Hong Kong Arts Festival.

In celebration of the centenary of Benjamin Britten’s birth, the Hong Kong Arts Festival this year is presenting three programmes of works by the composer in collaboration with local choral group Die Konzertisten. The first of these, collectively called “The Britten 100 Project”, consisted of his early works based on religious themes completed mostly in the decade between 1934 and 1943.