En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Elizabeth Bishop

A rising German conductor draws superb playing from the orchestra in the Met’s fifth revival of Richard Eyre’s witty 2014 production.

With the many glories of the score and the easy butts of class and marital comedy, it is hard not to be pleased by a Figaro performance, although tonight’s did not sparkle as much as it might have. 

Zambello's Die Walküre engages and excites in this promising Ring cycle. 

Das Rheingold stages flawed American Ambitions in the first Ring Cycle in Washington DC. 

A safe performance of Poulenc's extraordinary opera in Washington, lacking in pity and terror.

This year’s revival of Mary Zimmerman’s La Sonnambula at the Met requires too much suspension of disbelief to seriously work, but it provides a fun and vibrant take on Bellini’s bel canto opera all the same. In the title role, Diana Damrau knocked it out of the park. 

Not a new production, the Metropolitan Opera’s staging of Dialogues des Carmélites, originally directed by John Dexter in 1977, was nonetheless fresh and compelling in its approach and not at all tired, despite its age.

Read our review of Robert Lepage's production of Wagner's Götterdämmerung in its 2012 broadcast from the Met Opera in New York.