En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gareth Jones

The Llangollen International Eistedffod opens with a star-studded concert performance of Puccni's political/romantic thriller.  

There’s nothing new or inventive about Leigh’s revived production, which in itself is not a crime, but neither is there an abundance of energy; it's all a bit nice. 

The Perfect American, a fictional account of the final months of Walt Disney’s life, is a visually rhythmic flow of scenic magic on a blended Glass base – gently but harrowingly absorbing.

A concert like this could have three possible outcomes: one, frustration at catching just a glimpse of a multitude of operas without the benefit of character or plot development or the embellishment of sumptuous costumes or stage sets; two, inspiration to delve further into the world of opera, nudged by tantalising hints of dramatic tension and a world of emotions; or three, sheer escapism into a

It wasn’t surprising that English National Opera’s UK première of The Perfect American was one of the most eagerly anticipated productions of the summer. Based on a fictitious narrative by Peter Stephan Jungk, the opera offers a timely glance behind the plush curtains of Walt Disney’s animated feature films.