En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Giovanna Lanza

A trusty and convincing version of the masterpiece, with a cast of well-matched singers.

Juxtaposing Granados’ sensuality with the miserable story of Suor Angelica functioned by contrast, as they do not have anything in common.

“Sorry for my meddling. I am the director of this opera.” Before the curtain opens, in a prologue to the prologue, Delbono shows up and addresses the audience. 

Eugene Onegin: regrets, broken dreams and sorrow are perfectly rendered in this staging, as the callous dandy's icy heart eventually melts.