En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Isaac Hernández

Pour sa dernière apparition sur scène et alors qu'elle s'apprête à quitter l'English National Ballet pour le poste de directrice artistique du San Francisco Ballet, Tamara Rojo a livré une grande performance.

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.

Mere Mortals, an immersive sensory-experience ballet that merges dance, lights, visuals and sound, is clever.

Osipova's memorable performance tops a fine new production at the Queen Elizabeth Hall. 

Petipa's classical choreography and Glazunov's ravishing score fuse with a reimagined narrative and bold choreographic additions to create a new Raymonda for the 21st century.

Have two Covid-enforced delays left too much time for Akram Khan and his team to tinker with their new creation for English National Ballet?

Ivan Putrov, who has enjoyed a long career based in London, brings dancers from his homeland for a special London gala. 

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

The ENB translates its digital films made during the pandemic into an evening of a live performance.

The choreographers selected ranged from the highly experienced (Yuri Possokhov, Sidi Larbi Cherkaoui and Russell Maliphant), and ENB’s Associate Choreographer (Stina Quagebeur) to a relative newcomer, 24-year-old Arielle Smith. 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

Jurgita Dronina impresses as the heroine in this matinee performance of Sir Kenneth MacMillan's ballet at the Coliseum. 

A performance that overflows with rich detailing in every role

Jurgita Dronina adds a slight Russian touch to Derek Deane's Swan Lake in an evening marked by intense interpretations of the leading roles and gleaming performances from young soloists.

English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise. 

A star studded programmme of works celebrating the legacy of Les Ballets Russes

A first-class, five-star evening made even more exceptional by the extra gift of Cojocaru’s masterclass

English National Ballet scores another triumph with Akram Khan's darkly reimagined interpretation of the greatest of all Romantic ballets.

Death lurks around every corner in Rudolf Nureyev’s Romeo and Juliet, created for English National Ballet (then named London Festival Ballet) back in 1977 and energetically revived here.