En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | James Streeter

A long-awaited new production of ENB's perennial seasonal classic is a visual feast.

Akram Khan's Giselle becomes ever more watchable with every viewing. A rollercoaster version of the traditional classic.

Junior soloist Ivana Bueno steps in at short notice to make her debut as Odette/Odile at the Royal Albert Hall with English National Ballet. It augurs well for her future.

Derek Deane's Swan Lake in-the-round makes a welcome return to the Royal Albert Hall. With the challenges of 360º scrutiny, English National Ballet rise triumphantly to each and every hurdle.

It's not an easy watch, but Johan Inger's Carmen is a brave commentary on misogyny in today's society. English National Ballet give of their best.

English National Ballet appears refreshed and revitalised under its new artistic director.

Christopher Wheeldon's Cinderella in-the-round is an immersive experience in the grand ballroom scene but the romantic duets are robbed of an essential intimacy.

Ek's second, very different take on Stravinsky's Rite crowns an English National Ballet triple bill extolling the pure joy of dance and exposing the terror of forced marriage. 

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

The ENB translates its digital films made during the pandemic into an evening of a live performance.

The choreographers selected ranged from the highly experienced (Yuri Possokhov, Sidi Larbi Cherkaoui and Russell Maliphant), and ENB’s Associate Choreographer (Stina Quagebeur) to a relative newcomer, 24-year-old Arielle Smith. 

An evening of sparkle and bravura at London's international ballet gala. 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

Despite confused storytelling in Wayne Eagling's version of ETA Hoffmann's tale, ENB's Nutcracker has some lovely dancing. 

Akram Khan's bold reimagining of Giselle continues to go from strength to strength. After touring to venues from Moscow to Chicago, it returns to Sadler's Wells. 

Jurgita Dronina impresses as the heroine in this matinee performance of Sir Kenneth MacMillan's ballet at the Coliseum. 

A performance that overflows with rich detailing in every role

Jurgita Dronina adds a slight Russian touch to Derek Deane's Swan Lake in an evening marked by intense interpretations of the leading roles and gleaming performances from young soloists.

A dutiful revival of Sir Kenneth MacMillan’s Sleeping Beauty from English National Ballet.

Poetry infuses Tamara Rojo’s every step as Giselle in Akram Khan contemporary update of a ballet classic. 

English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise. 

Wayne Eagling’s version for English National Ballet, however, risks confusing those new to ballet – and a few more experienced hands – thanks to muddled storytelling.  

The invention, clarity and freshness of the choreography is breathtaking throughout, made even more so by outstanding performance. This new Giselle is a masterpiece, taking English National Ballet to new heights.

There is much to like about the English National Ballet Nutcracker, but it could be so much more.

Death lurks around every corner in Rudolf Nureyev’s Romeo and Juliet, created for English National Ballet (then named London Festival Ballet) back in 1977 and energetically revived here.

English National Ballet has performed The Nutcracker every year since it was founded in 1950. The latest version, by former company artistic director Wayne Eagling, has a great deal of charm and a stunning leading couple. At the London Coliseum. 

At the opening night of Kenneth MacMillan’s production of The Sleeping Beauty in London, all eyes were on English National Ballet’s new artistic director, up on stage – rather than in the audience. Would she still be able to hold her balances on pointe now that she is also required to balance the office books?The answer is a resounding yes.

To sit directly under the splendid chiaroscuro dome of St Paul's Cathedral, with angels, apostles and Christ himself glittering down from mosaiced arches, is to be in the middle of astonishing beauty.