En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | James Valenti

Chicago Lyric Opera's production of Madama Butterfly is open and airy, quiet in its theatrics, and the characters move with the grace and inevitability of shadows on the wall.

For many opera fans, especially here in Australia, the title role in Lucia di Lammermoor is indelibly connected with the late, much lamented Joan Sutherland. She made her breakthrough as Lucia in a Covent Garden production of 1959, and continued to sing the part for over three decades, thankfully leaving several celebrated recordings.

What makes this otherwise routine revival of Patrice Caurier and Moshe Leiser’s eight year old production an absolute must-see is the sensational Royal Opera House debut of Kristine Opolais in the title role. She is a statuesque Latvian blonde, barely transformed by her dark wig and geisha makeup.