En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Max Baillie

I was fortunate to see Wayne McGregor’s choreography set on the San Francisco Ballet several years back, so I was eager to see Random Works, which was performed this past weekend in Kings Place’s Hall One. Random Works wasn’t McGregor’s choreography, but rather the work of ten young choreographers. McGregor is listed as the programme’s curator.

“Imitation is the sincerest form of flattery”, goes the familiar phrase, and that can be applied in life to any number of things, including music. Were the father of harmony, Johann Sebastian Bach, still alive today, he would be beyond flattered.

“What is a score?” This was the question posed last night in Kings Place, Hall Two, by the effervescent ensemble who style themselves as notes inégales. Under the directorship of Peter Wiegold, six instrumentalists brought together a programme of improvisational works that responded to computer-generated scores on a large screen.