En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Nicola Rubertelli

Manfred Schweigkofler's production places the drama in a surreal, timeless atmosphere at the Teatro San Carlo. 

Gianni Amelio's traditionalist staging pleased the audience, and Nadine Sierra brought vocal grace and a flawless technique to the title role.

La poco conocida ópera Adriana Lecouvreur de Francesco Cilea cierra la temporada del Teatro de la Maestranza. Al encanto de la partitura y la bondad interpretativa de la Orquesta de Sevilla se unió un elenco de excepción encabezado por la soprano Ainhoa Arteta.

This production at the San Carlo was an excellent, emotional Lucia di Lammermoor, welcomed with empathy by the audience, like an old companion. 

A piece of Italian verismo well worth being in the repertoire, beautifully staged and sung.

A nimble, cheerful performance of Donizetti's dramma buffo in Naples, both by individuals and ensemble. 

Roberto De Simone's staging evokes a fabulous out-of-time China, and perfectly accompanies the majesty of Puccini’s last and unfinished opera. De Simone chooses to stop the opera at the point of Puccini's death, without Franco Alfano's finale.

A successful production for a scandalous opera which exercised a broad influence on the musical theatre of the 20th century.

A Neapolitan farce which was successful in all Italian theatres, fun and frantic.

This production of Puccini’s masterpiece was delivered on a monochromatic set, with  a director-centred staging of the story of love and despair of Cio-Cio San.

A great singing cast and an excellent conducting for the unveiling of Otello's ghosts in Naples.