En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Peter Schaufuss Ballet

Now, one assumed, with the final production in the marathon Tchaikovsky Trilogy at the London Coliseum, all loose ends would be tied neatly together and Peter Schaufuss’ conception of connecting the three great Russian classics together be evident. Right? Wrong. At the end of Sleeping Beauty the previous night, the Dream Master brought Aurora and Florimund together on the now-famous couch.

And so to the second part of Peter Schaufuss’ Tchaikovsky Trilogy of the three great Russian classical ballets. In Sleeping Beauty, re-titled A Sensual Dream, the complicated weaving of the choreographer’s vision in connecting all three ballets together begins to make a little more sense – at least to those who had viewed his Swan Lake.

Swan Lake, The Sleeping Beauty and The Nutcracker, the three great Russian classical ballet masterpieces which were created in the late 1800s, grace the repertoires of all reputable ballet companies worldwide.

Romeo and Juliet is one of the most popular ballets for both dancer and spectator and the production, created in 1955 by the great British choreographer Frederick Ashton and brought to the London Coliseum this week by the Peter Schaufuss Ballet has certainly plenty to please, especially the presence of its young protagonists.