En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Royal Liverpool Philharmonic Choir

The Royal Liverpool Philharmonic Choir star in Janáček’s Glagolitic Mass after an ideal Pastoral Symphony from the RLPO and Dinis Sousa. 

A Mahler 3 from the Royal Liverpool Philharmonic, worth every minute of the five-year wait for this early Covid-casualty. 

Walton’s Belshazzar’s Feast is brought to life Sir Bryn Terfel, Adam Hickox and the Royal Liverpool Philharmonic Choir and Orchestra. 

A programme of French music culminates in a heartfelt Fauré Requiem with the Royal Liverpool Philharmonic Choir. 

Soloists, choir and orchestra combine under Martyn Brabbins to create a powerful performance of Tippett's secular oratorio.

The Royal Liverpool Philharmonic takes listeners from sultry Debussy to Puccini’s Messa di Gloria, with a nautical detour in between.

Domingo Hindoyan has a bright future in Liverpool, as he conducts his new orchestra in Beethoven's Ninth.

The RLPO and NDR Radiophilharmonie Hannover join forces for Britten's War Requiem.

Andrew Manze conducted the Royal Liverpool Philharmonic Orchestra in two English choral pieces; Stephen Hough brought a fitting conclusion to his Beethoven concerto cycle as artist-in-residence. 

On a balmy evening in Liverpool, Vasily Petrenko led the RLPO in two works that explored differenet apsects of lamentation, preceded by a Straussian toboggan ride.

Vasily Petrenko conducts the RLPO in Beethoven's Ninth Symphony and Mendelssohn's Die erste Walpurgisnacht in Liverpool's Philharmonic Hall.

Vasily Petrenko conducted the Royal Liverpool Philharmonic and a fine trio of principals in an excellent semi-staged production of Puccini’s Tosca, directed by Amy Lane.The two performances of the opera form the culmination of Bryn Terfel’s two-week stint as Artist in Residence with the orchestra.

Since the death of conductors like Isidore Godfrey, Malcolm Sargent and Charles Mackerras, all of whom feature heavily in the Gilbert and Sullivan discography with many excellent soloists of the last century, there has been no mainstream conductor that has really given the work of Gilbert and Sullivan its due; countless amateur dramatic societies and a few professional opera houses have done their

Though Rossini’s name is synonymous with 19th-century comic opera, his contribution to sacred music is not inconsiderable; a sizeable collection of masses, hymns and cantatas reach the pinnacle of their popularity in two works that still make an entertaining evening in the concert hall or church.