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Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova. 

The genre of semi-opera is a peculiarly British one. Emerging from the courtly Masques during the restoration, the semi-opera served as an English operatic utterance, at a time where opera was emerging as one of the pre-eminent theatrical forms in Europe.

The Dresden Semperoper premiered a new production of Fidelio scarcely a month before the fall of East Germany. Much has changed in the intervening decade and a bit, but the Semperoper is still playing the same Fidelio. It doesn't take much knowledge of recent German history to understand why it was a sensation at the time.