En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Sir Peter Wright

Iain Mackay is the best person to lead the Royal Ballet School into the future and presented a rich and diverse programme of legacy and new works.

A splendid evening of celebration for Sir Peter Wright at the Birmingham Hippodrome focusing on excerpts from his own classical ballets and The Green Table by Kurt Jooss.

National Ballet of Japan’s revival of Sir Peter Wright’s Swan Lake showed the company in good form, especially among the unified corps de ballet Swans. 

A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé. 

Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.

Sir Peter Wright’s beautiful Nutcracker ticks every box with Birmingham Royal Ballet at the Royal Albert Hall.

The Royal Ballet opened the Christmas season with a superlative performance of Sir Peter Wright’s The Nutcracker.

The Royal Albert Hall turns out to be a wonderful venue for Birmingham Royal Ballet's transporting Nutcracker.

Brimming with festive season joy, the Australian Ballet gives an exuberant performance of a Peter Wright classic: The Nutcracker. 

Sir Peter Wright's The Sleeping Beauty exudes that magical, ageless feeling, here brought to life by a new and enchanting performance of the title role.

The Royal Ballet's lavish Nutcracker provided a plethora of outstanding performances on its opening night.

 This production provides a hugely fulfilling evening, rich in drama and the beauty of classical ballet.

Sir Peter Wright’s production returns to Birmingham Royal Ballet after an absence of five years, with Céline Gittens and Brandon Lawrence sharing great chemistry. 

Sir Peter Wright’s classic Royal Ballet production returns for another festive run to enchant the young – and not so young – at Covent Garden. 

After two years of pandemic disruptions, the Australian Ballet celebrates its return to the stage with this gala of impressively-chosen showstopper pas de deux.

Marianela Nuñez and Vadim Muntagirov still reign over The Kingdom of Sweet as The Nutcracker returns to Covent Garden for a marathon run of performances over the Christmas season. 

This wonderful ballet has never looked better at The Royal, especially in the remarkable performance of Natalia Osipova.

National Ballet of Japan premieres Sir Peter Wright's Swan Lake, which had been postponed for a year due to Covid restrictions. 

Outstanding performances all-around in this special treat for Christmas 

Sir Peter Wright’s festive treat is back – and Covid-secure – as the Royal Opera House stages its first full-length staged performance since the theatre closed in March.

What marks the start of Christmas? For many, it's when the Christmas tree magically grows in The Royal Ballet's Nutcracker...

Sir Peter Wright's version of The Sleeping Beauty has stood the test of time, though this opening night of the tour in Southampton didn't always convince that the work has a place of adoration in the company’s heart.

Peter Wright's evergreen production continues to delight led by a defining performance by Marianela Nuñez in the title role .

Sir Peter Wright's enchanting vision of The Nutcracker continues to delight 

The Royal Ballet's Giselle is classical ballet at its best, paying deep reverence to the original with some of the heavier elements refreshed. Excellently performed by Sarah Lamb and Matthew Golding. 

Peter Wright's excellent version of The Nutcracker returns to The Royal Ballet for a festive run, with several standout performances. 

True to its origin in the Romantic period of the 19th century, this Swan Lake dances the Royal Birmingham Ballet into history because of the beauty of its leading dancer, Céline Gittens, one of the world's first non-white ballerinas.

This is not a story about a prince or princess; there are no fairies, no spells, no swans. And yet it is an entirely enchanting story...

Lambrecht Wessels reviews Dutch National Ballet's Sleeping Beauty at Het Muziektheater, Amsterdam. 

Birmingham Royal Ballet's The Nutcracker, with choreography by Peter Wright, Lev Ivanov and Vincent Redmon, was a magical evening of pure nostalgia.

Frederick Ashton used to say it was like a lesson in choreography every time he watched The Sleeping Beauty. For Kenneth MacMillan too, the ballet was the pinnacle of classicism and technique and a great test of any company’s skills.

Christmas must be nearing when that traditional fare of sparkle, excitement and the surging score of The Nutcracker bursts in full flood onto the world’s ballet stages. Originally created in 1891 by Marius Petipa for the Mariinsky Theatre, the ballet has become the annual bread-winner for most companies (albeit in various versions), guaranteeing full houses and happy customers.

Coppélia is one of the more light-hearted of the full-length classical ballets. Based very loosely on Hoffmann’s more macabre short story Der Sandmann, the plot revolves around the tempestuous relationship of its protagonists, Swanilda and Franz; and the work of the inventor Dr Coppélius, who is both brilliant and barmy.