En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Troy Cook

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 

A two-week Ralph Vaughan Williams retrospective closed with his gentle, folksy spin on Shakespeare's Merry Wives of Windsor.

Yuval Sharon's La bohème for Opera Philadelphia proves a mix of great singing and disorienting navigation. 

The first fully staged American production of Chausson's sole opera features remarkable singing, fine storytelling and plush orchestral playing.

Sarah Coburn triumphs in Shawna Lucey's production of Donizetti's masterpiece. 

Davide Livermore's production of La bohème is inspired by the Impressionist troves at The Philadelphia Museum of Art and The Barnes Collection.

Top-notch singers and some sensitive direction almost make up for Laurent Pelly's frustrating Opera Philadelphia production. 

Puts’ and Campbell’s fast and furious neo-Victorians launch Philadelphia’s Annual Opera Festival.

Kaneko's vivid designs grace this charming Butterfly. 

Some very fine singing and beautiful, if sometimes confusing, visual effects in Opera Philadelphia's Don Carlo.  

A work crucial to the development and appreciation of opera as a relevant modern art form premièred on the East Coast to well-deserved acclaim at a legendary Philadelphia venue. From the first note out of the pit orchestra to the final strains of the last act, Silent Night, presented by Opera Philadelphia at the Academy of Music, was a tour de force – from conception to execution.

For the first time in twenty-five years, the Opera Company of Philadelphia has mounted a production of Puccini’s first great opera, Manon Lescaut. The result was an inspired testament to thoughtful direction by Michael Cavanagh, gorgeous sets and costumes by John Pascoe, and several winning performances.