En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Blossom Music Center

The rising American conductor led works by Dvořák and Tchaikovsky, along with a fine performance of Shostakovich’s Piano Concerto no. 1 with Behzod Abduraimov and Michael Sachs as soloists.

At age 94, Herbert Blomstedt led a superb all-Beethoven concert with the Cleveland Orchestra at the Blossom Music Center, with Garrick Ohlsson an exemplary soloist in the Fourth Piano Concerto.

Conductor Jane Glover capitalized on The Cleveland Orchestra’s affinity for Mozart in a Sunday evening concert at the Blossom Music Center, with the versatile pianist Conrad Tao.

There were no unorthodox interpretations in this program, which featured The Cleveland Orchestra’s associate concertmaster Jung-Min Amy Lee in Samuel Barber’s Violin Concerto, just excellent, straightforward music making.

Andrey Boreyko’s Blossom Music Center program included Beethoven’s “Emperor” concerto with Francesco Piemontesi and a rare but convincing performance of Zemlinsky’s Die Seejungfrau.

A fresh and compelling performance of Carl Orff’s classic. Aaron Copland’s rarely-performed Statements filled out the orchestra’s last concert performance at the Blossom Music Festival for 2018.

Excellent performances by James Gaffigan and The Cleveland Orchestra of music by Barber, Mendelssohn, and Sibelius made for an enjoyable summer evening at the Blossom Music Festival. Stephen Hough was an outstanding piano soloist.

Yo-Yo Ma revisits the cello suites with a message for modern times and the polish of a showbiz pro.

Under the baton of John Storgårds, Vilde Frang made her Cleveland Orchestra debut in Britten's Violin Concerto, with works of Antheil and Schumann rounding out a diverse selection.

Juho Pohjonen tackles the Prokofiev First Piano Concerto with real aplomb, but big thrills also come from a "French trio" of compositions by Debussy, Ravel and Florent Schmitt.

Gustavo Gimeno conducted the Cleveland Orchestra in a colorful program inclusive of a pair of Spanish works, Stravinsky’s Firebird, and the Lalo Cello Concerto with soloist Johannes Moser.

Pianist David Fray was equally impressive as soloist in a subtly played Mozart Concerto no. 24.

The Cleveland Orchestra’s first evening of the season at the Blossom Music Center also included a performance of Beethoven’s Second Symphony that was both sparkling and appropriately dramatic.

A strong thunderstorm delayed the Orpheus Chamber Orchestra’s Blossom Music Center debut, but despite their fine playing, the venue proved too large.

Guest conductor Nicholas McGegan also led pleasing performances of Haydn’s Symphony no. 99 and Mendelssohn’s “Scottish” Symphony. 

Pinchas Zukerman celebrated the 45th anniversary of his Cleveland Orchestra debut with Mozart’s “Turkish” concerto.

Jean-Yves Thibaudet was a stylish soloist in Grieg’s Piano Concerto. Guest conductor Jahja Ling also led precise, elegant performances of Stravinsky’s Four Norwegian Moods.

For his only appearance this season at The Cleveland Orchestra's summer home, Franz Welser-Möst led scintillating performances of scandalous Adès, Bartók's Music for Strings, Percussion and Celesta, and Beethoven's "Eroica" Symphony.

The orchestra's principal cellist Mark Kosower gave a performance of Haydn's Concerto in C notable for its transparency and grace at this late summer Blossom Festival concert.

Conductor Brett Mitchell also led worthy performances of Dvořák’s The Noon Witch and Bartok’s Concerto for Orchestra, joined by student ensemble, the Kent/Blossom Chamber Orchestra.

Guest conductor Jahja Ling also leads refined performances of Smetana's Bartered Bride overture and Dvořák's Sixth Symphony.

  A suite by Rameau and Rachmaninov’s Symphonic Dances fill out the program for this Blossom Festival concert.

  Sibelius’s Violin Concerto and Dvořák’s “New World” Symphony play to an enthusiastic Cleveland audience on a beautiful evening at the Blossom Festival.

A summer season concert at the Blossom Music Center would not be the normal place for The Cleveland Orchestra to give first performances, but through a coincidental oddity of programming, there were two orchestra premières: Samuel Barber’s 1945 Cello Concerto, Op.

The Cleveland Orchestra’s Sunday evening concert at the Blossom Music Center seemed like a mishmash on the printed page, but it turned out to be a perfect summer evening: an all-American program with great tunes (selections from Gershwin’s Porgy and Bess featuring three excellent soloists and the Blossom Festival Chorus), not too intellectually challenging (a fanfare by John Williams and excerpts

After a concert last week made inaudible by thunder and a very heavy rain storm, The Cleveland Orchestra and its music director Franz Welser-Möst returned to Blossom Music Center this past Saturday in much more auspicious circumstances – a gorgeous, warm, non-humid evening – for a generous helping of excerpts from the operas of Richard Wagner, in celebration of that composer’s bicentenary.

Sometimes the creations of humans, no matter how artistic, can’t compete with the drama of nature. Such was the case this past Saturday evening at Blossom Music Center, the summer home of the Cleveland Orchestra (about a 45-minute drive south of Cleveland) in their first weekend of concerts for the season.

It was sweltering at the Blossom Music Center, summer home of the Cleveland Orchestra, on Saturday evening, August 4. Normally an oasis of coolness, the temperatures were hovering in the high 80s (31°C) at the 8:00 concert time. Even the orchestra members dispensed with their usual white formal jackets and ties.

Blossom Music Center, summer home of The Cleveland Orchestra, is about 25 miles south of Cleveland, just to the north of Akron, in a beautiful wooded area nestled next to the Cuyahoga Valley National Park. Opening in 1968, Blossom presents a wide variety of concerts, both orchestral and popular, and theatrical events each summer.