En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Notre Amour, Op.23 no.2

Marlis Petersen et Stephan Matthias Lademann ont offert au public de Bozar une passionnante expérience imaginaire et poétique, à travers un répertoire fin de siècle très émouvant.

Stepping in for an indisposed Carmen Giannattasio, Romanian mezzo Ruxandra Donose opened (and closed) her Rosenblatt Recital with… Carmen.

If this first song recital of the season is any indication of the level we can expect at the Konzerthaus, lovers of Lieder are in for a real treat. Christian Gerhaher and Gerold Huber set the bar very high last night in a hefty program including Schumann’s Dichterliebe and a dozen other songs, a set of Fauré, and the world première of a song cycle by Jörg Widmann.

Drawing names such as Sarah Connolly and Dame Felicity Lott to the dreaming spires, the Oxford Lieder Festival has defined itself as a leading musical exponent on an international level. It was fitting, then, that Alice Coote and Julius Drake should open the final weekend of the eleventh festival.

‘Fêtes Galantes’ is one of those glorious French phrases that sounds so wonderful but is nigh on impossible to translate. Rather than having any concrete meaning, it evokes Watteau-esque imagery of woodland gatherings, where eighteenth-century aristocrats amuse themselves by flirting, dancing and making music.