En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Glass Pieces

En 2018, le monde entier a fêté le centenaire de la naissance de Jerome Robbins, chef de file de la danse néoclassique américaine. Le Ballet de l’Opéra fait revivre cet héritage avec une soirée-hommage reprenant quatre œuvres de Robbins.

La dixième édition des Etés de la danse marque le retour du San Francisco ballet à Paris, compagnie qui avait inauguré cette manifestation en 2005.  Une matinée néoclassique dont la beauté et la fluidité de la danse laissent un goût de revenez-y...

A joyful, very gracious finale for a highly respected and loved principal dancer at NYCB. Andrew Veyette bows out with dignity and humility.

A wonderfully varied triple bill for NYCB allowing the company to shine across all ranks.

Piano Concerto #2 dominated this program and as the closer, would have sent everyone home happy.

Although Glass Pieces and Pictures at an Exhibition are on the surface very different ballets, they both draw us into their world. I wish NYCB had been able to find more compelling middle ballets.

When de Luz reached down and laid his hand on the floor in the final Nocturne, it suggested to me that, on this night and with these dancers, the stage was sacred ground.

San Francisco Ballet presents Balanchine's ever wonderful Agon, with Brahms-Schoenberg Quartet and Jerome Robbins' Glass Pieces in Programme 8.