En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Masques

Waltzing on a Monday evening? Wigmore Hall is not exactly the Tower Ballroom, but last night it did a fair impression as a temple of dance when Philippe Cassard played the third of his Debussy Perspectives series.

An elegant venue with a fine acoustic and a beautiful Steinway piano, coupled with one of the UK's most gifted pianists active today made for an evening of music making of the highest calibre.

Cédric Tiberghien’s recital at Symphony Center on Sunday built up like a crescendo, rising to ever greater heights of contrast, color, and explosive energy.

A key performance unlocks every note of familiar pieces so they can be enjoyed as if for the first time. Tiberghien began by paying homage to the “amazing” acoustics of Koerner Hall, then proved it by opening the minuet of Schubert’s Six moments musicaux softly as a breeze coloured lightly with birdsong.

Pierre-Laurent Aimard is a pianist who really likes to get inside the music he performs, whether Liszt, Boulez, Messiaen, or, as in the case of his Chamber Prom at Cadogan Hall (the last of the 2012 season), Debussy.