En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Meerfahrt, Op.96 no.4

A program of Schumann and Brahms fails to cohere due to fussy mannerisms and tentative playing. 

Christian Gerhaher und Gerold Huber nutzen die Musik als Ausdrucksform der Trauer, als Vehikel für unglaublich poetische Texte über Liebe und Tod.

Ian Bostridge and Lars Vogt bring their recital tour to Sage Gateshead, where they bring bold physicality to their interpretations of songs by Schubert and Beethoven. 

Songs of the Sea, the opening concert of the Leeds Lieder Festival, leaves the audience in a happy and buoyant mood.

Two figures occupied Usher Hall’s large stage. More accurately, two performers, as there was also a very focused page turner, removing played pages as though they were explosives. Seated at the piano was Lars Vogt, last seen in this hall during Edinburgh Festival 2012 in a joyous performance of Lutosławski’s Piano Concerto.

This was the first concert of Oxford Lieder's new season, and setting the bar pleasingly high for those who will come after was the partnership of tenor John Mark Ainsley, veteran of concert and opera stage alike, and Roger Vignoles, a name synonymous with the highest levels of professionalism in the accompaniment of song.