En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Wozzeck: Trois fragments pour soprano et orchestre

L’Orchestre Philharmonique de Radio France propose un cycle Beethoven/Berg dirigé par Daniel Harding, entouré de quatre solistes de renom. La soirée du 9 janvier réunissait trois œuvres très belles mais difficiles : une performance honorable sans être exceptionnelle.

Esa-Pekka Salonen’s exploration of the Weimar Republic captures the seriousness but none of the fun of the turbulent artistic period.

The four-part concert, conducted by Franz Welser-Möst, emphasized Boulez's relationship with the orchestra as composer, teacher, conductor, and friend, with four musical works to illustrate those characteristics.

Barbara Hannigan joined the London Symphony Orchestra and Sir Simon Rattle for performances of Berg’s Three Fragments from Wozzeck and Ligeti’s Mysteries of the Macabre. 

The final orchestral performance of this year’s Gergiev festival saw the city of Rotterdam play host to St. Peterburg’s Mariinsky Orchestra.

The Berliner Philharmoniker and Sir Simon Rattle came to Paris last weekend for an eclectic program: Mozart’s final three symphonies on Saturday night, and the decadence of Schoenberg, Berg and Stravinsky on Sunday afternoon.

The Philadelphia Orchestra was visibly enjoying their evening at Carnegie Hall with Sir Simon Rattle, their frequent guest conductor who nearly became their music director. In a program of early modern classics and a perennial Beethoven favorite, energy and spirits were high and in good supply.

This was potentially a very nice programme which frustratingly only rarely lived up to its promise.First on the programme were the Prelude and Liebestod from Tristan and Isolde, the iconic bookends of Wagner's most revolutionary work. The Prelude lacked the extraordinary tension and atmosphere it can have, though the climax was powerful throughout.