En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | La clemenza di Tito (La Clémence de Titus), K621: Non più di fiori

Le week-end de clôture du festival portugais dirigé par Christoph Poppen a fait la part belle aux jeunes interprètes, avec des résultats particulièrement enthousiasmants.

With the help of soprano Fatma Said and a compelling programme, the incoming City of Birmingham Symphony Orchestra chief conductor made good on his promise and past performances.

DiDonato shines as Yannick Nézet-Séguin leads his OM in the final concert of its US tour, ending with blockbuster Bruckner. 

The Orchestra of the Age of Enlightenment stalked the “Corridors of Power” in Prague and Esterházy for a fabulous evening of Classical drama. 

It’s time to stop talking about James Levine’s comeback. After a scintillating return to Carnegie Hall in May and a fleet, immaculate Così fan tutte at the Metropolitan Opera in September, Levine has proven what he never really had to: his powers have not waned in his absence from the podium. Given sensible scheduling and interesting repertoire, we can focus once again on his music-making.