En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Don Giovanni, K 527: Madamina "Il catalogo è questo"

In her first appearance with the orchestra this season, Nathalie Stutzmann offers overly tentative readings of Verklärte Nacht and Siegfried Idyll, alongside perfunctory excerpts from Don Giovanni.

The Gala Mozart Belcanto featured internationally renowned artists who performed a high quality virtuoso concert.

It's typical that in the last concert in a series that has lasted seventeen years, we had a recital from a talented young singer with a growing reputation, a Rosenblatt classic.

Gerhaher's glorious rendition of Mozart arias and the crisp sound of the FBO made for a delightful evening. 

A bright evening of the "Mozart Effect" series somewhat dulled by a bizarrely structured programme.

A starry night at the Hollywood Bowl for Gustavo Dudamel, Alice Sara Ott, Miah Persson, Gerald Finley and the LA Phil to perform Mozart.

A concert like this could have three possible outcomes: one, frustration at catching just a glimpse of a multitude of operas without the benefit of character or plot development or the embellishment of sumptuous costumes or stage sets; two, inspiration to delve further into the world of opera, nudged by tantalising hints of dramatic tension and a world of emotions; or three, sheer escapism into a

The Montreal International Musical Competition, this year devoted to voice, ended on a high note with the Winners’ Gala Concert on June 8. First, Second and Third Prize winners sang two arias each, but, in a gratifying show of solidarity with the remaining finalists, the program afforded concertgoers the opportunity to hear the five runners-up as well.