En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Octet for brass and violin

What compelled the composer to use this particular ensemble? Why does this musical texture work best for this moment? Is there a better one? Should I be able to hear more of what’s going on right now? Is that sound really coming from that instrument? These and other questions, uncommon or irrelevant in the context of a Beethoven symphony or a Haydn string quartet, were front and center Tuesd