En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | 5 Brahms Waltzes in the Manner of Isadora Duncan

The finale had Osipova wrapping herself in the area rug like a mummy and rolling on the stage floor. It wasn’t even a guilty pleasure. It was just bad.

A robust testimony to the powerful legacy of Isadora Duncan in Isadora Now at the Barbican.

The Royal Ballet's Ashton programme is a rare delight; and the mix of pieces shows how that know-it-when-you-see-it Ashton style is perfectly versatile.