En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ah! perfido, Op.65

Les absents ont eu tort de manquer un très beau programme classique viennois, avec une soprano en état de grâce et un chef inspiré, suivi avec enthousiasme par des musiciens volontaires et disciplinés.

Vassily Sinaisky, Natalya Romaniw and the City of Birmingham Symphony Orchestra take a crude, casual approach to music by Tchaikovsky and Beethoven.

Directed by Gerard McBurney, this concert recreated the marathon Akademie conducted by Beethoven in Vienna which saw the premieres of four major works. 

Andrey Baranov's stunning performance of Shostakovich's harrowing Violin concerto no. 1 with Daniel Raiskin and the Belgrade Philharmonic overshadowed the other items in the programme.

Bracing and emotionally direct performances from the Australian Chamber Orchestra and Nicole Car, in a carefully-planned programme.

A dazzling soloist from the orchestra’s ranks and a charming Schubert symphony with conductor Nicholas McGegan

The wide variety of music Vienna has provided over the last couple of centuries was effectively on display here in Auckland.

Andris Nelsons passed the halfway stage of his Birmingham Beethoven cycle with brilliantly muscular accounts of the Fourth and Fifth Symphonies and a glossy performance of the concert aria Ah! Perfido.The CBSO made a compelling case for the Fourth Symphony, an arguably overlooked work described by Schumann as sitting between the “Two Norse giants” that are the Third and Fifth.