En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Cockaigne (In London Town) - overture for orchestra, Op.40

Much loved core repertoire is juxtaposed with seldom heard works by anniversary composers Holst and Stanford. 

Sir Simon Rattle, Tim Reynish and Clark Rundell take the baton in turn, to celebrate the past and present of Liverpool’s Youth Orchestras. 

The flourishing partnership between Vasily Petrenko and the Royal Philharmonic Orchestra continues to be vital in both senses of the word. 

Sir Andrew Davis conducts the BBC Philharmonic in Elgar, Rachmaninov and Sibelius with pianist Kathryn Stott.

Sir Andrew Davis led the BBC SO in a recreation of Sir Malcolm Sargent's 500th Prom, a lengthy programme that failed to inspire.

Sir John Eliot Gardiner rendered Elgar’s Second Symphony with broad, excessive, strokes, while Ann Hallenberg brought hushed intensity to Mahler’s Rückert-Lieder.

In a quirky programme featuring English, Welsh and Russian music the BBC National Orchestra and Chorus of Wales began their new season at St David’s Hall showcasing, with mixed results, their composer-in-association Huw Watkins, Elgar and three Russian composers at different stages in their careers.

Orient meets Occident in three performances of English works conducted by the Japanese maestro Tadaaki Otaka.

The first night of the Proms was, in this year of Olympic celebrations and the Diamond Jubilee, a tribute to all things English, featuring an impressive range of singers and a (somewhat appropriate) relay team of stellar English conductors. The programme began with a strange mixture of old and new.

If ever a concert could be described as a firework, this was it. The stage was ignited with music and we waited for the best bit - that crucial, beautiful explosion of colour. As part of the Colston Hall’s International Classical Season, The Bournemouth Symphony Orchestra performed the iconic choral work Carmina Burana by Carl Orff (1895-1982).

In an unusual piece of programming by today’s standards, this evening’s symphony, Vaughan Williams’ fifth, was played before the interval, with the lighter works, Dvořák’s Wind Serenade and Elgar’s Cockaigne, later in the evening.

A "riot of orchestral colour" was promised, but little of it was allowed to flourish.Elgar's Cockaigne Overture, written during the winter of 1900-01, is a portrait of a busy London, conjuring the hustle and bustle of everyday, metropolitan life.