En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto pour violoncelle et orchestre en la mineur, Op.22

Alisa Weilerstein is a powerful soloist with The Cleveland Orchestra in Barber’s Cello Concerto, while a new work by Allison Loggins-Hull and a rarely-heard Prokofiev symphony are intriguing but less convincing.

A globally-connected journey of exoticism: Yu Long delivers with Scheherazade.

A rousing Dvořák Symphony no. 8 and that composer’s The Water Sprite filled out a highly satisfying performance.

A summer season concert at the Blossom Music Center would not be the normal place for The Cleveland Orchestra to give first performances, but through a coincidental oddity of programming, there were two orchestra premières: Samuel Barber’s 1945 Cello Concerto, Op.

Three of the four American pieces performed this evening by Northern Sinfonia were written to evoke very particular places, and got me thinking about the evocative power of a well-chosen title.

Sitting in the seats at the Frank Sinatra School of the Arts auditorium in Astoria, the boisterous, catchy tunes of Leonard Bernstein’s Overture to West Side Story rang out. Crisp, clean, and excitedly performed, it was a great start to an evening of what Maestro Silas Nathaniel Huff called ‘Riffs and Dances’.