En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | neither Anvil nor Pulley

On Thursday night, I left a concert longing for a tranquilizer, but at Saturday night’s Man Forever/Sō Percussion concert, I began wishing for sedatives about three minutes into the first set. Before the performance, the audience sat entranced by a subtle humming drifting through the Grace Rainey Rogers Auditorium at the Metropolitan Museum of Art.