mercredi 31 décembre 2025 | 21:00 |
samedi 03 janvier 2026 | 19:00 |
dimanche 04 janvier 2026 | 11:00 |
vendredi 09 janvier 2026 | 19:00 |
samedi 10 janvier 2026 | 11:00 |
Opéra d'État hongrois | ||
Gergely Kesselyák | Direction | |
Miklós Szinetár | Mise en scène | |
Balázs Horesnyi | Décors | |
Rita Velich | Costumes | |
Orchestre de l'Opéra d'État hongrois | ||
Eszter Orbán | Dramaturgie | |
Bertalan Vári | Chorégraphie | |
Chœurs de l'Opéra d'État hongrois | ||
Gábor Csiki | Chef de chœur | |
Chœurs d'enfants de l'Opéra d'État hongrois | ||
Nikolett Hajzer | Chef de chœur | |
Zoltán Nyári | Ténor | István |
Barna Bartos | Ténor | István |
Andrea Edina Ulbrich | Mezzo-soprano | Sarolt |
Andrea Meláth | Mezzo-soprano | Sarolt |
Kinga Kriszta | Soprano | Gizella |
István Kovácsházi | Ténor | Gizella, Asztrik |
Attila Dobák | Baryton | Vecellin |
Csaba Szegedi | Baryton | Koppány |
Boldizsár László | Ténor | Torda |
János Szemenyei | Voix | Laborc |
Melinda Heiter | Mezzo-soprano | Réka |
Vivienne Ortan | Mezzo-soprano | Réka |
Tibor Szappanos | Ténor | Bese |
Botond Pál | Ténor | Solt |
András Kiss | Baryton | Sur |
By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives. The poems for Levente Szörényi, who approached one of the fundamental stories in Hungarian history through Miklos Boldizsar’s play titled Ezredforduló (Turn of the Millennium), was written by his old co-author János Bródy. The Hungarian State Opera production staged the work with operatic instrumentation and opera singers in 2020. Thanks to the entirely symphonic score by composer Levente Gyöngyösi and the opera singers participating in the production, the work completely sheds the need for amplification, allowing new treasures to be discovered in the interpretation of Miklós Szinetár, the doyen of Hungarian directors. This production has been made possible through the mediation of the Zikkurat Stage Agency and Melody Kft.